Kerala Daily

In The Color of Miracles, author Keith Merrill presents a fictional narrative that explores the complex relationship between scientific reasoning, personal belief, and artistic expression. The story is set primarily within the institutional environments of a science museum and a children’s hospital, using these contrasting spaces to examine divergent worldviews.

A professional artist, Thomas Hall, is commissioned to create a mural titled The Descent of Man for the Pacific Science Museum. This project puts him at odds with Silas Hawker, the new museum director, who insists on scientific accuracy in art and views the mural as a tool to support evolutionary theory based on Darwinian principles.

The professional dispute between Hall and Hawker becomes a central thematic conflict in the novel. Through this disagreement, the narrative questions the boundaries of art, the authority of science, and the conditions under which belief systems are formed and defended.

A second narrative follows Christina, a young girl who survives a severe car accident with extensive injuries. Her remarkable recovery captivates the hospital staff and board members. Hall is invited to create a mural for the new pediatric wing, where Christina’s situation shapes his views on meaning and interpretation.

Merrill’s novel does not offer definitive conclusions regarding the tension between belief and empirical evidence. Instead, the narrative presents situations where characters are prompted to reevaluate their assumptions based on new experiences. The plot does not advocate for or against any specific belief system but instead encourages reflection on the nature of personal transformation.

The interaction between Hall and Hawker reflects broader cultural debates. Hall starts with skepticism about miracles, but his work on the hospital project and Christina’s story challenge his views. In contrast, Hawker remains steadfast in his rational materialism, highlighting Hall’s evolving perspective.

The Color of Miracles is structured around these converging ideological paths, highlighting how institutional roles, personal histories, and unexpected events can influence individual belief systems. The novel examines how art can serve as a product of and a response to these shifting perspectives.

Keith Merrill’s approach in this work emphasizes narrative over argumentation, allowing the reader to observe rather than be directed. The text does not rely on dramatic revelations or definitive resolutions, focusing instead on the gradual development of thought through circumstance and dialogue.

About the Author

Keith W. Merrill is an Academy Award-winning filmmaker, writer, producer, and director renowned for his powerful storytelling and educational dedication. Based in Farmington, Utah, Merrill embodies the values of faith, family, and perseverance.

He founded a private school, actively supports church and community efforts, and remains deeply committed to uplifting others through his work. Married to his college sweetheart for over 60 years, he is a devoted father of eight, grandfather of 40, and great-grandfather of nine. Merrill’s lifelong passion for film and literature drives his creative pursuits, crafting narratives that inspire reflection and connection across generations. His legacy stands as a testament to the enduring power of purposeful storytelling.

The Color of Miracles by Keith W. Merrill is now available on his official website and Amazon.

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